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Luigi Nono - Intolleranza 1960
One-act opera in two parts
German translation by Alfred Andersch
Wolfgang Neumann
Maria Kowollik
Judy Berry
Ina Schlingensiepen
Armin Kolarczyk
Bartholomeus Driessen
Bremen Philharmonic Orchestra
Bremen Theatre Choir
Conducted by Gabriel Feltz
Paratum cor meum
Hommage à Anatolijus Šenderovas
3 CDs
Catalog number 21123
This edition is an remarkable homage to the composer, who was awarded the European Composer Prize in 2002. The composer was a life-long friend of the cellist David Geringas, who appears here as a cellist and as conductor of the Lithuanian Chamber Orchestra.
Oliver Mascarenhas
plays Gulda & Kapustin
Gulda plays Jazz, Recordings from the NDR archive, 1958
Oliver Mascarenhas, violoncello
Wind Ensemble of NDR Radiophilharmonie
directed by Gerd Müller-Lorenz
Johannes Nies, piano (Nikolai Kapustin)
Friedrich Gulda, piano & recorder
Hans Last, bass
Karl Sanner, drums
New
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Wu Man & Wu Wei Distant Mountains
Their openness and the simply phenomenal mastery of their playing have brought Chinese music to millions of listeners. Wu Man’s… Read More -
Oliver Mascarenhas plays Gulda & Kapustin / Gulda plays Jazz, Recordings from the NDR archive, 1958
The very first audition brought Oliver Mascarenhas to the NDR Radiophilharmonie Hanover in 1997. This was followed by a busy… Read More -
Sergej Rachmaninow
The choral symphonic poem “The Bells” was written during Rachmaninoff‘s last years in Russia (first performance 1913, emigration 1917). It… Read More
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About us
Dreyer Gaido Music Productions was founded in 2001 by Michael Dreyer and Hugo Germán Gaido and is based in the city of Münster in North Rhine Westphalia. The label has acquired an excellent reputation in the Classical and World Music scenes for its exquisite productions and receives enthusiastic reviews from both audiences and the press.
“The name of the label does not just stand for two clever minds, but also for two restless, individualistic and free spirits. This small but fine label based in Münster is a meeting place for music from the Middle and Far East, jazz and classic, as well as new concert music.”
(Jazzthetik, March/April 2016)
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